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Audio in Media: The Recording Studio (Music), by Stanley R. Alten
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This book offers a practical overview of the theory, operations, and techniques related to audio production. The discussions are straight-forward and nontechnical and are supported by illustrations and photos.
- Sales Rank: #2081719 in Books
- Published on: 1995-11-28
- Original language: English
- Number of items: 1
- Dimensions: .69" h x 7.37" w x 9.20" l, 1.32 pounds
- Binding: Paperback
- 414 pages
Review
PART ONE: PRINCIPLES. 1. Music Recording: A Perspective. 2. Sound and Hearing. 3. Acoustics and Psychoacoustics. PART TWO: EQUIPMENT. 4. Microphones. 5. Consoles. 6. Analog Recording. 7. Digital Recording. 8. Signal Processing. 9. Loudspeakers and Monitoring. PART THREE: PREPRODUCTION. 10. Planning the Recording Session. PART FOUR: PRODUCTION. 11. Distant Miking: Ensembles. 12. Close Miking: Instruments. 13. The Recording Session. PART FIVE: POSTPRODUCTION. 14. Editing. 15. The Mixdown. 16. The Master. Glossary. Bibliography. Index.
From the Back Cover
Perfect for the aspiring music producer, engineer, artist, or anyone interested in studio recording, this book offers the practical overview you need. With exceptional clarity, author Stanley R. Alten covers the theory, operations, and techniques related to audio production. He includes straightforward, nontechnical discussions and explanations (supported by illustrations and photos) to make studio recording ideas unmistakably clear.
About the Author
Stanley R. Alten teaches audio production, TV/film aesthetics, writing, and criticism. Before joining the Syracuse University faculty, he worked in radio and television as a producer, writer, sound designer, performer, and station manager in numerous markets, including Philadelphia, New York, and Boston. He also has many film and record production credits and continues to be professionally active through his own production company. Alten is an internationally recognized authority in sound production. He is the author of AUDIO IN MEDIA, the leading audio-production text in North America for more than two decades. The book has been translated into Spanish, Korean, German, and Chinese. Recently, Alten authored a brief version of it titled AUDIO BASICS, also published with Cengage Learning. Other writing credits include AUDIO AND MEDIA: THE RECORDING STUDIO, which focuses on music recording. He also has written many articles for the ENCYCLOPEDIA OF RADIO, WORLD BOOK ENCYCLOPEDIA (for which he served as audio editor), and the INTERNATIONAL ENCYCLOPEDIA OF EDUCATION, 2nd Edition. He has been honored for teaching excellence by the Outstanding Educators of America, Alpha Epsilon Rho, and the National Science Foundation.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A Fine book, but...
By Stephen B. Ward
This is a fine book but it makes little sense to buy this softcover book, when you can purchase the hardcover book it's based on, Audio In Media (ISBN: 0534548040), for an additional eight dollars list.
The hardcover book covers more subject areas including broadcast video production. I use this as a textbook for my entry-level Audio Production courses at Mercy College. One key feature missing in the softcover edition is the end of chapter summary, entitled "Main Points." I tell my students to start the chapter by reading these first--then reading the chapter.
For the minimal difference in price, I'd buy the hardcover version (and as I write this today, Amazon's price for the hardcover is actually cheaper!).
Stephen Ward
Mercy College
White Plains, NY
0 of 0 people found the following review helpful.
Not to bad
By A Customer
I found this to be a helpful source in writing my term paper. It is great for any college student wanting to learn more about music or any music major
0 of 0 people found the following review helpful.
One of the Few
By Barnard Rollit
I haven't found, for my purposes, a better general guide to the recording studio anywhere. What particularly pleases me is that Mr. Alten offers essential insight into analog technology and practical acoustic principles, and treats digital technology as a vital progression but not as the be-all and end-all of the present and future of audio recording.
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